Interview with Gale Borger

gale borgerToday I’m welcoming Gale Borger to my series of author interviews. Gale writes humorous mysteries, including the Olive Branch series and the Miller Sisters Mystery series. Gale’s six Olive Branch short mysteries, formerly only available as ebooks, have just been released in a print collection that includes an all-new sixth mystery.

Elizabeth: Gale, thanks for visiting today.

Gale: Thank you for having me.

Elizabeth: Tell me a little about the Olive Branch kids and the mysteries they solve.

gale olive branch bookGale: The Olive Branch mysteries were the product of a brainstorm by Karen Syed, owner and President of Echelon Press out of Orlando, Florida. A huge proponent of the literacy movement, Karen came up with the idea of having several authors each publish a series of six short e-stories (one per month over the summer) in YA format, which would read like episodes. At the end of the sixth “Electric Shorts” installment, the readers would have read an entire story, but not face the intimidation of struggling through a long chapter book. The shorts worked great for summer reading programs.

Elizabeth: How did this idea evolve into the Olive Branch Mysteries?

Gale: Because I’m a Master Gardener, Karen suggested I write about gardening, and I tutor and work with many young adults in their late teens and early twenties, so it was decided that I take the teenage readers and develop my series from that.

I thought writing gardening for teens would be like trying to talk a group of Ultimate Fighters into taking ballet lessons. What I came up with was to establish a garden center where teens in trouble with the law could work off court ordered community service while receiving counseling and schooling at the same time.

The mystery comes into play while walking back to the garden center after a day of planting flowers downtown. The five teens, Cash, Pone, Shroom, Spaz, and Bean, stumble across a dead prostitute in an alley. They are compelled to find out who murdered her. Thus was born the first installment, “Death of a Garden Hoe.”

Elizabeth: Now tell me about the Miller sisters.

gale millers sisters bookGale: I was sitting at home after knee surgery when my husband, Bob, dropped a laptop into my lap and said, “It’s time for that story to come out, Gale.”

I started out by sketching characters; taking personality traits, quirks, eccentricities (and just plain weirdness) from my siblings, my friends, my mother and her friends, and from people I’ve known over the years. I came up with four girls raised on a farm (Buzz, the eldest, is Wisconsin’s newest member of the AARP). Buzz is an ex-detective, and in each of the books, one of the sisters “help” solve a murder. The results are pretty funny. Mag is a high school biology teacher, Al is a librarian, and Freddie owns the local pet shop. Buzz’s love interest is a childhood friend and the local Sheriff, and they still make all major decisions by the tried and true Rock, Scissors, Paper method.

Elizabeth: But how can murder be made funny?

Gale: Murder is never funny, but how you get to the truth can be a riot.

Elizabeth: As a mystery writer, do you find you need to outline the plot before you begin writing?

Gale: I don’t outline, I develop characters. They write the stories.

Elizabeth: Is there a mystery writer you especially admire or one that you read to learn the craft from?

Gale: There are many writers I admire and read. The truth of the matter is I’ve spent over twenty years in law enforcement, so I know crime, and the people who commit crimes. Actually, some of my favorite people are bad guys. I grew up with humor, and hung out with creative and funny people. When it came to putting it all down on paper, it seemed natural to combine the two.

Elizabeth: Do you find that you need to work and plan to be humorous in your stories, or does the humor just flow?

Gale: Great question. The humor flows. Humor has to come naturally, or it looks forced–like punch lines stuck where they don’t belong. If you have funny characters, they will do things in a funny manner. Quick, witty dialog is so very important. That is why I stress character development. I never know what is around the corner, but my characters fling me around it like crack-the-whip.

Elizabeth: Anything else you’d like us to know about your books?

Gale: Well, now that you mention it, I’ve been asked if I thought it was rather silly and far-fetched to have grownups have nicknames and Three Stooges humor. The funny thing is, I really do have a sister with the nickname of Maggot, mine was Buzz, and I have a sister Sam, whose real name is not Samantha! The old ladies with police scanners are real (thanks to Mom and her friends), and we really do call my baby sister Jack the Tripper. Mark Twain once said, “Truth is stranger than fiction, but it is because fiction is obliged to stick to possibilities; truth isn’t.” I don’t know about strange, but the truth sure can be funny!

Elizabeth: Enough of your book—tell us about yourself.

Gale: I grew up in northeast Illinois on a horse farm in a household who watched Red Skelton, Jack Benny, Dick Van Dyke, and The Three Stooges. I loved Carol Burnett, Gilda Radner, Lily Tomlin and Lucille Ball–brilliant comediennes who didn’t have to take their clothes off to entertain their audiences. I love screwball comedy and I don’t apologize for pie-in-the-face jokes.

I’ve lived in southeastern Wisconsin for the past 20 years. I have a Bachelor’s degree in Criminal Justice and a Master’s degree in Education. I have been a Correctional Officer with the Walworth County Sheriff’s Office for the past seventeen years, and I already mentioned I was a Master Gardener, and I want to learn to train therapy dogs (in my spare time, of course).

My husband Bob and I have about 1,000 gallons of freshwater tropical fish, and Bob makes the best tropical fish food you can buy (captainbobsfishtales.com). Our daughter, Shannon is a double music major at UW Milwaukee, and plays a mean trombone.

Elizabeth: We’ve now reached the time in our interview for the let’s-get-to-know-the-author-better, nearly-pointless, sort-of-silly, rapid-fire questions:

Elizabeth: Coffee or tea?

Gale: A pot-o-coffee in the morning, tea in the late evenings, and Diet Pepsi any time of day.

Elizabeth: Ocean or mountain?

Gale: Mountains. I love the water, but I’ll take a lake over an ocean any day.

Elizabeth: Hiking or shopping?

Gale: Hiking-definitely. I abhor shopping!

Elizabeth: Violin or piano?

Gale: Piano if it’s Victor Borge

Elizabeth: Historical fiction or fantasy?

Gale: I prefer hysterical over historical fiction

Elizabeth: Darcy or Heathcliff?

Gale: Mr. Darcy, of course. How can one resist a 200 year old unattainable, yet endearingly awkward man, who loves you for who you are, who sees you as an intellectual equal, and he’s a rich, handsome guy to boot?

Elizabeth: Love scene or death scene?

Gale: Love scene (sans the milky white thighs), which turns into the death scene.

To learn more about Gale and order her books, visit her blog: http://galeborgerbooks.com

her Amazon.com Author page: http://tinyurl.com/9wz9ktm

and her Barnes and Nobel Author page: http://tinyurl.com/a8nbkmd

Best Books of 2012

This past year was an excellent reading year for me. I read a total of ninety-four books (so close to one hundred…) and many were superb. Creating this list has been very difficult. I’ve left off many good books, and this list is still longer than I’d like. The ones I’ve chose are listed in the order I read them, mostly. Anyway, here we go:

The Marriage Plot by Jeffrey Eugenides

Some have called this pretentious, and it probably is, but I liked it nevertheless. Eugenides creates a college experience more like what I imagined college would be (a serious intellectual experience) than what I experienced (interesting classes and a lot of mindless parties). The author’s sculpturing of mental illness is fascinating.

Feathers by Jacqueline Woodson

Set in 1971 and narrated by sixth-grader Frannie, this is a well-crafted story that explores many themes, including hope (“the thing with feathers”). Everyone in Frannie’s school is black, until a white boy with long hair joins their class. He’s called Jesus-Boy because of his hair and his apparent serenity. Frannie’s best friend begins to wonder if the boy might really be the Savior. At home, Frannie’s mother is pregnant which is scary because she’s had several miscarriages, and Frannie’s teenage deaf brother struggles with his place in the world. Moving story.

The Wednesday Wars and Okay for Now both by Gary D. Schmidt

These two books are brilliant children/young adult reads. The Wednesday Wars is about Holling Hoodhood’s seventh-grade year and Okay for Now is about Holling’s friend Doug Swietek’s eighth grade year. Holling is forced to read Shakespeare by his teacher, and the book is thematically built around the plays he reads. Doug studies Audubon paintings in the local library and the book is thematically built around those paintings. So, the books are cleverly structured, but what readers are going to mostly notice are the realistic, likable main characters dealing with difficult family, friend, and school situations. Serious issues written with a deft hand. The stories are funny, clever and heart-felt. Schmidt deserves a Newbery.

Caleb’s Crossing by Geraldine Brooks

Caleb was the first Native American to graduate from Harvard and is the title character, but this is really Bethia Mayfield’s story. Bethia, the daughter of a liberal Calvinist minister, journals of her life on the Wampanoag’s island (now Martha’s Vineyard), Bethia runs fairly free for a young girl, meeting Indian Caleb and playing with him on the beach, though knowing that most would not approve of their friendship. When her mother dies, Bethia must take on more responsibility. Caleb comes to live with them to become educated, and each keeps their past connection secret. When he goes to Harvard, she goes to the mainland too, as a servant to pay for her own brother’s education. The marvel of this book is the way Brook brings to life the setting. The altered language, the sea, the tight grip of Puritanism, the racism, the poverty. It’s a fascinating re-imagining of people who lived long ago.

I, Iago by Nicole Galland

How do you take one of literature’s most vile villains and make your readers like him? Galland begins in his childhood and lets him tell the story.  Iago is a fun, likable character, and the story rolls along at a good pace.  When Othello begins wooing Desdemona, I found myself wondering how Iago would be able to narrate and explain the tragic events that I knew must follow.  Did Shakespeare misunderstand?  Had Iago behaved well and gotten a bad rap? Or would this character I’d learned to love turn on his friends? How could that happen?  I won’t tell you here–get the book and find out.

The Diamond Age; or a Young Lady’s Primer by Neal Stephenson

In a list of hard-to-summarize books, this is probably the most difficult. But I will try. In a future world, Hackworth is an engineer who helps to design a book that is really a supercomputer with the intent of educating its reader. The book is intended for the King’s daughter, but Hackworth steals a copy for his own daughter, only to lose it to the streets, where urchin Nell gets it. Hackworth’s book is marvelous, teaching Nell how to read, how to fight, how to survive, and finally how to think for herself. Much more happens (there are probably a half a dozen other subplots) but this is what I remember best. Stephenson’s imagination is extraordinary and his ability to predict technology is nothing short of genius.

Ready Player One by Ernest Cline

Everyone in my family enjoyed this book. The year is 2044 and the world is in terrible shape, so most people escape from it by logging in to the virtual world of OASIS, created by James Halliday. Halliday, a multi-billionaire obsessed with 1980s culture, dies without an heir, but in his will he tells the world that he has left keys in OASIS, which when found will open gates and lead to other keys. The first person to open all three gates will get his fortune. Ready Player One is narrated by the teenager who finds the first key. Part sci-fi, part mystery, part love story, part 1980s-nostalgia trip, part dystopian fantasy, part thriller, this book is all good fun.

Finding Emilie by Laurel Corona

Lili is the could-have-been daughter of the real-life Emilie, Marquise de Chatelet, 18th century French intellectual, mathematician and lover of Voltaire. The Marquise dies giving birth to Lili, a child that history does not remember. The novel moves between the stories of Lili and Emilie, two women who are intelligent, strong, and independent, characteristics not valued among women in 18th century France. A fascinating, moving story.

The Descendants by Kaui Hart Hemmings

Picture the spouse you love in the hospital in a coma about to die. Are you sad? Heart-broken? Now picture finding out that the person you love was cheating on you. Was possibly planning to leave you. How do you feel? How do you deal with those feelings? How do you deal with your children, who are having trouble with their own grief? That’s the premise of this beautiful, well-crafted, heart-wrenching story.

Liar and Spy by Rebecca Stead

New York City seventh-grader Georges (the “s” is silent, but causes him no end of grief in school) must deal with bullying, a change of residence when his father loses his job, and a mother who works so much she’s never home. In his new apartment, Georges meets Safer, a home-schooled boy who accepts Georges into the Spy Club to investigate the strange doings of Mr. X who lives in the apartment above Georges. As the parent of a seventh-grade boy, I can tell you that Stead knows kids. The characters are smart and funny and troubled and, more than anything, real. I loved Georges, and loved Safer’s little sister Candy, and as my focus was on the characters, I was taken completely by surprise at the turn of events at the end of the story. Wow! A great book for kids and adults alike.

Leviathan, Behemoth,and Goliath all by Scott Westerfeld

I loved this trilogy so much that I forced my twelve-year-old to read them, and they became three of his favorite books. Westerfeld has created a world divided between “clankers,” people who work with all types of fantasy-type machinery, and “Darwinists” people who have genetically altered animals to work like machines. But wait, this is an alternate history of World War I as well: the clankers are the Austria-Hungarian empire and the Darwinists are Britain and its allies. The book opens with the murder of Archduke Franz Ferdinand and the escape of the archduke’s son, Alek, one of the story’s main characters. The other main character is Deryn Sharp, a girl pretending to be a boy so that she can become a British midshipman. She gets work on the Leviathan, a living airship which is a genetically-altered, whale-like creature that flies because it is filled with hydrogen. Sound far fetched?  It doesn’t when you read it.  The world building is meticulous.  The characters are well drawn and the story fast-paced.  Fun, fun, fun!

The Iron Wyrm Affair by Lilith Saintcrow

Sorceress Emma Bannon teams up with mentath (think Sherlock Holmes-type intellect) Archibald Clare to protect Queen Victrix and all of Britannia in this alternate-history, sort of Victorian era, steampunk thriller. The breath-taking action begins mid-story, with reader and characters trying desperately to figure out what’s going on. Although the story is non-stop, the world building and character development are what impressed me the most. I hope this is the beginning of a series.

In the Garden of the Beast by Erik Larson

The only nonfiction book to make my list; this reads like fiction. Larson uses letters, journals, and other primary sources to describe the lives and thoughts of William E. Dodd, American ambassador to Hitler’s Germany, and Dodd’s twenty-something daughter, Martha. The Dodds don’t know World War II is on the brink, although the ambassador has a very low opinion of the men in charge of Germany. Martha, on the other hand, is seduced by the charming Germans and makes light of the few bad things she hears about. This book is a brilliant look into the experiences and thoughts of two people who bumped elbows with some of the most infamous characters in history, as history was unfolding. Fascinating.

This Lullaby, What Happened to Goodbye? and The Truth about Forever all by Sarah Dessen

Dessen is the master of young adult books for girls. She covers serious teen issues with well-developed, realistic characters. I read these three books in about four days—not because they are short, but because I couldn’t put them down.

Making the World a Better Place

Today seems like a good day to point out something good happening in the world.

 Heifer International  helps families in developing nations buy animals or other agricultural products that can reproduce, thus feeding themselves and providing off-spring which they can give to their neighbors, thus helping the entire village.  I donate to Heifer every year in April, for my mother’s birthday, and in November through World Builders.

World Builders is run by my fellow Stevens Point writer Patrick Rothfuss, who gets authors to donate books (Syncopation and The Stolen Goldin Violin are two of the lesser-know titles) and other cool things. You can bid on items or donate to Heifer and get your name in a lottery for items.  Last year (if I’m getting my research right) World Builders raised $311,699.00 for Heifer.  So, join the fun and learn what’s going on at World Builders.

Interview with George Rogers

George Rogers

Today I’m welcoming George Rogers to my series of author interviews. George is the co-author of For the Love of Postcards. His most recent book is  Among the Leaves, published by Cornerstone Press in November.

Elizabeth: Among the Leaves has the subtitle: A Collection of Outdoor Essays. How would you explain an “outdoor essay?”

George: Anything that has to do with nature.AmongtheLeaves-Cover

Elizabeth: Could you tell us the topics of some of the essays?

George: I say in the introduction that this isn’t a “me and Joe went fishin'” book. I don’t ignore fishing and hunting but I’m more into other outdoor activities, wildlife and the environment in general. Some of the topics are the Apostle Islands and Isle Royale in Lake Superior, prairie chickens, deer, jackass rabbits (now thankfully called jackrabbits), wolves, camping in Costa Rica and climbing Mount Fuji. But mostly it’s about Wisconsin.

Elizabeth: You’ve been a journalist for more than fifty years. How were you able to choose which essays to include and which to leave out of this collection?

George: I tried to choose topics that appealed to people who liked the outdoors, not just the hook and bullet crowd.

Elizabeth: You grew up in Wisconsin and spent a lot of time in the woods as a child. How do you think that has affected your outlook on life?

George: I was exposed to nature as a kid by fishing with my father and getting to see the ruined old-growth Wisconsin forest, and learning what a grand thing it had once been. That doesn’t mean I’m against logging. I’ve cut many trees in my time (and planted thousands of them), but from an early age I learned logging had to be done judiciously.

Elizabeth: Tell us about one of your favorite vacations or travel destinations.

George: I’ll mention several. Northern Wisconsin is always a good one. I like the Gulf Coast of Texas because it isn’t as overdeveloped (yet) as Florida, it’s on the ocean and it’s low-key. Japan was good, but when I was there I was in the military and not really vacationing. However, it gave me the opportunity to climb Mount Fuji. Also I saw some incredibly polluted waters, which was a real lesson.

Elizabeth: What is your writing process or schedule?

George: I’m not on a schedule. I write an outdoor column and a few other things for a weekly newspaper, the Portage County Gazette, but that’s a relaxed timetable. I write any time the mood strikes me and email my stuff in. That way I don’t get in the hair of the real working people. If I were writing another book, I’d set a target – so much production per week.

Elizabeth: How did the idea for Among the Leaves come to you?

George: I didn’t plan to write Among the Leaves. A co-worker from my daily newspaper days talked me into it. I thought it would be a chore but I found out it wasn’t. I should have known that. All my working career I was on a deadline and learned to live with it. Relatively speaking, this was easy.

Elizabeth: Cornerstone Press is a small press sponsored by the English Department at the University of Wisconsin, Stevens Point. Students enroll in the Editing and Publishing class, and over the course of the semester select a manuscript, design a cover and layout, edit, publish, market and sell the book. What has been your experience working with this group of students?

George: They were good people, really interested in turning out a good product, and quite professional. I predict a bright future for them.

Elizabeth: We’ve now reached the time in our interview for the let’s-get-to-know-the-author-better, nearly-pointless, sort-of-silly, rapid-fire questions:

Elizabeth: Coffee or tea?

George: When I get up in the morning I brew a cup of tea because I don’t like instant coffee and it takes too long to make a pot of regular coffee.

Elizabeth: Ocean or mountain?

George: Both.

Elizabeth: Hiking or shopping?

George: Anything but shopping.

Elizabeth: Violin or piano?

George: Much to my regret, I’m devoid of musical talent.

Elizabeth: Mystery or Fantasy?

George: Mystery. There’s already too much fantasy in life.

Elizabeth: Hester Prynne or Scarlet O’Hara?

George: My attitude on this one was adequately summed up by Rhett Butler in his memorable farewell to Scarlett, “Frankly, my dear, I don’t give a damn.”

To order a copy of Through the Leaves, visit the Cornerstone Press website.

A big thanks to George for being my guest today.

November is National Novel Writing Month

I write all year long, but November is the month I get the most accomplished because of the great fun that is NaNoWriMo.

I’m participating again and hoping to get some momentum going on my steampunk Cinderella story.

If you don’t know about NaNoWriMo, get on over there and check it out. Anyone can write a novel, and this community is supportive and a lot of fun.

The organization has a great Young Writer’s Program as well. So, if you know a kid who writes for fun, or who reads a lot, tell him or her about this.

If you decide register for NaNoWriMo, friend me so we can keep track of each other’s progress.

Happy Writing!

Interview with Waheed Rabbani

Today I’m welcoming Waheed Rabbani to my series of author interviews. Waheed is the author of Doctor Margaret’s Sea Chest, the first book in a historical fiction trilogy.

Elizabeth: Can you tell us a little about Doctor Margaret’s Sea Chest?

Waheed: Doctor Margaret’s Sea Chest is Book I of The Azadi Trilogy. This series of historical fiction novels is set during India’s struggle for freedom—Azadi—from the British Raj. The Books weave a tale of international intrigue, conflict, and poignant love between interesting characters of that era.

In 1965 an over 100-year-old sea chest, of an American doctor, Margaret, is discovered in the storage room of a hospital in Delhi. Another American doctor, Sharif, who originally hails from Delhi and is on contract at the hospital, is entrusted with the task of locating the mysterious woman’s relatives and returning her trunk.

Margaret, born in New Jersey, achieves her heart’s desire, in 1850, to become one of the first North American women doctors. She marries her Canadian cousin, Robert, and travels with him to serve in the Crimean war of 1854. There, they have to not only face hardships of battles, but also endure other conflicts. The surprise ending of Book I, leaves Margaret in a quandary, whether to seek vengeance or to continue with her journey to India.

The novel explores Christian and Missionary norms, and Victorian values. The Underground Railroad and the wars of 1812 and in the Crimea, are covered in a unique way.

Elizabeth: Have you already started writing books 2 and 3? Where do you see the story going?

Waheed: Yes, Book II: The Rani’s Doctor is nearing completion and would be published early in 2013. It continues with Margaret’s story upon her arrival in India and serving at a military hospital in Delhi and later her appointment as a physician to the Rani of Jhansi. There she is caught up in the 1857 Mutiny/Rebellion. Book III has been plotted. It covers the subsequent period up to 1947 when India finally achieves her independence. It is told through the eyes of Margaret’s descendants.

Elizabeth: How much historical fact is woven into your novels?

Waheed: These being historical fiction novels, the historical events are all accurate. While in the novel there are some real life personalities, the major characters are fictional, and their story is inter woven with the historical, and fictional, happenings. This enables covering the historical period in a non-intrusive manner, such that readers would find the story not only interesting, but furthering their understanding of the history from a pleasurable reading of the novel.

Elizabeth: How do you do your research?

Waheed: Fortunately, most of the primary sources (diaries, letters, accounts, etc) written in the early nineteenth century, being out of copyright, with the advent of internet are now available on-line. Hence, I did not have to travel to the central depositories (such as the British Library in London). Although I did travel to India and visited some of the locations I’ve covered in the novel.

Elizabeth: What is your writing process?

Waheed: I am a bit of both: a plotter and a “pantster.” While I do outline and timeline the events, invariably, I find the characters take over the acting of the scene. I am happy to let them carry on, even if it means tweaking the plot. It seems to me that this process results in a more natural (if you will) unforced narrative, which I’m sure readers would enjoy more.

Prior to retirement from engineering (in 2011), I wrote whenever I found free time. However, during the early period of my retirement I found the process of, ‘write when you feel like it,’ didn’t seem to work well. Hence, now I have forced myself into a 9 to 5 writing routine, as if I was at a full-time job. It seems to be working. But then again there are days, just like at a job, when I do not feel like writing and have to ‘call in sick.’

Elizabeth: Enough about your books, tell us about yourself.

Waheed: I was born in India, near Delhi, and was introduced to Victorian and other English novels, at a young age, in my father’s library. Most of the large number of volumes, were purchased by my father at ‘garage sales’ held, by departing British civil service officers and their families, in the last days of the British Raj.

I graduated from Loughborough University, Leicestershire, England, and received a Master’s degree from Concordia University, Montreal. While an engineer by profession, my other love is reading and writing English literature. I obtained a Certificate in Creative Writing from the McMaster University, Hamilton, Ontario, and with the teachings of all my lecturers there, embarked on this writing journey.

My wife Alexandra and I love to travel and have visited India and many other wonderful countries. We are now settled on the shores of Lake Ontario, in the historic town of Grimsby.

I’ve also contributed to the following Anthologies: Canadian Voices II, Indian Voices, and In the Wings: Stories of Forgotten Women.

More information is available on my website noted below.

Elizabeth: Are you a member of any writing and social media groups?

Waheed: Yes, I’m a member of a historical fiction on-line critique group, and a local readers’ club. I am also on Facebook, Twitter, Linkedin, and others. I am a member of the Historical Novel Society and am as well on their book review team, helping to review (and post in their magazine) the numerous new books received by them every month.

Elizabeth: We’ve now reached the time in our interview for the let’s-get-to-know-the-author-better, nearly-pointless, sort-of-silly, rapid-fire questions:

Elizabeth: Coffee or tea?

Waheed: Coffee as the ‘eyes opener’ in the mornings. But in the afternoons I yield to tea and with dinner, red wine.

Elizabeth: Ocean or mountain?

Waheed: Both really. During winter holidays on the beaches, and vacations in the summer at cottages in the mountains.

Elizabeth: Hiking or shopping?

Waheed: Both, as per above, depending on where I am.

Elizabeth: Violin or piano?

Waheed: I once did sign up, at a local college, for piano lessons, and purchased one too! But, it is more of a novelty piece in our drawing room.

Elizabeth: Mystery or fantasy?

Waheed: Mystery, definitely. I suppose I am more of an engineer (left brained) to hardly ever read a fantasy novel.

Elizabeth: Hester Prynne or Scarlet O’Hara?

Waheed: Scarlet, absolutely, for her gutsy ways. Loved her saying: “Tomorrow is another day,” (or something like that).

Elizabeth: Love scene or death scene?

Waheed: Love scene, being a romantic at heart!

To learn more about Waheed Rabbani and his Doctor Margaret stories, visit his website,  http://tiny.cc/wrabbani

Waheed’ s book is available on Amazon: http://astore.amazon.com/waherabbhistf-20

Elizabeth: Waheed, thanks for agreeing to this interview.

Waheed: And thank you very much for having me on this interview. It was a pleasure to tell you all a bit about myself and my writing. I’ll be happy to respond to any questions from the readers. My email address is: wrabbani at cogeco.ca

 

The Next Big Thing: The Stepsister

The latest game for authors in the blogosphere is to tag each other for The Next Big Thing. Once tagged, an author answers a few questions, then tags other writers, with their permission.

Historical novelist Kim Rendfeld, author of The Cross and the Dragon , a retelling of two medieval legends, tagged me. Kim and I attended Indiana University at the same time, although we didn’t cross paths until recently.

What is the working title of your book?

The Stepsister

Where did the idea come from for the book?

I teach a children’s literature class to elementary education majors, and so I read a lot of children’s and young adult books. Right now, modern versions of fairy tales are very popular. I especially like the variations to the Cinderella story, and I wondered what I could do to make that tale different. I decided that having one of the stepsisters narrate the story would give the story an interesting twist.

What genre does your book fall under?

Gosh, it falls into a lot! Fantasy, historical fiction, children’s/young adult, and I’m giving this story a bit of a steampunk flavor as well.

Which actors would you choose to play your characters in a movie rendition?

Most of the characters are teenagers, and I don’t know Hollywood well enough to pick out actresses for the parts. I liked Drew Barrymore in Ever After and Hugh Dancy in Ella Enchanted, but they are both too old now. I guess this is a great chance for some new talent to get discovered.

What is the one-sentence synopsis of your book?

Cinderella’s stepsister Dru, an inventor like her father, narrates this steampunk version of the classic fairy tale.
Will your book be self-published or represented by an agency?

I’m looking for an agency—if you’re an agent and find my story interesting, please let me know!
How long did it take you to write the first draft of your manuscript?

Not finished yet! My three adult novels each took about three years a piece. The only other children’s novel I’ve written took one month (I wrote it as part of NaNoWriMo). I’m guessing the first draft of The Stepsister will take about a year to finish—I’m hoping to be done by June 2013, so I can take it to the Historical Novels Society Conference.

What other books would you compare this story to within your genre?

Ella Enchanted is another retelling of the Cinderella story. Girl Genius has the same steampunk elements and a heroine a little like my own.
Who or what inspired you to write this book?

For the past few years, I’ve been writing historical fiction, reading fantasy, and teaching children’s literature. I think it’s no surprise that my latest work combines all of this.

What else about your book might pique the reader’s interest?

Although readers probably think they know Cinderella and her stepsisters, when they read my version, they will discover that they didn’t know them at all. I’m aiming for a depth of character missing from most fairy tales.

Also, in The Stepsister, I use steampunk technology as a pseudo-scientific explanation for the magic that occurs in the Cinderella fairy tale.

I was tagged by:

Kim Rendfeld’s blog is Outtakes from a Historical Novelist . Her novel The Cross and the Dragon was published by Fireship Press this year.

I tag:

Beth Elliott  writes tales of adventure and romance set in the wider Regency period, including The Wild Card, shortlisted for the 2009 Romance Prize and recently released on Kindle. Beth’s blog is Regency Tales.

Tina Boscha is the author of River in the Sea, a haunting story of life on the North Sea coast during German occupation, based in part on the real-life experiences of Tina’s mother.

Tinney Heath is a fellow Wisconsin author who writes about the 13th Century. Her blog is Historical Fiction Research.  Her novel A Thing Done  will be published by Fireship Press this spring.

Author Interview: Nicolas Kublicki

 

Today I’m welcoming Nicolas Kublicki to my series of author interviews. Nicolas is the author of The Diamond Conspiracy, in which Justice Department prosecutor Patrick Carlton discovers a decades-old conspiracy to control the world’s production of diamonds. His most recent Patrick Carlton novel is The Tesla Formula, published last winter in e-book and releasing in November of this year in print.

Elizabeth: Can you tell us a little about The Tesla Formula?

Nicolas: The Tesla Formula is an international thriller about economic and energy terror.

When genius inventor Nikola Tesla died in the midst of World War II, the FBI combed through his secret research – and discovered an invention so extraordinary that the agent could only reveal it to President Franklin Roosevelt in person. He didn’t make it. The government never found what he discovered – but a Hollywood star murdered by the Nazis left a clue.

When a cabal of rogue Saudi princes conspires with a global energy giant, power-hungry EU officials, and a corrupt Washington law firm to devastate the United States’ economy without shutting off a single oil tap, it is up to Justice Department prosecutor Patrick Carlton to track down Tesla’s lost formula before it is too late. But others want it first.

From the haunts of old Hollywood to the deserts of Saudi Arabia, through the wilds of Alaska to European capitals, Carlton will need the help of a beautiful Hollywood tour guide, a competitive FBI agent, a billionaire reformed mafia don, a scientist from a deep-black government agency, and a Polish secret agent to save the global economy from ruin and bring the plotters to justice.

But first, Carlton must stay alive.

Q: What inspired you to write The Tesla Formula?

A: 9-11. I was on the island of Capri in Italy editing The Diamond Conspiracy during the tragic events of 9-11. My girlfriend at the time, who is now my wife, was a flight attendant and often worked on one of the hijacked flights. It took me some time to discover that she was safe. All Americans have had to work through the powerful, roiling emotions that the terrorist attacks triggered. As a writer, I did it through writing. The Tesla Formula is about many things, including a lost formula of Nikola Tesla, the global economy, alternative energy, and the oil industry, but at its heart lies a terror plot against the United States. Unlike the violence sown during (and since) 9-11, the plot involves a global terror plot that will devastate the United States without violence, which sadly is a very real possibility.

Elizabeth: In what ways is main character Patrick Carlton like you?

Nicolas: An excellent question, since authors so often write about themselves. In my case, I am a blend of Carlton and his best friend, billionaire reformed mafia don Max MacLean (minus the billionaire and mafia parts). Like Patrick Carlton, I am a lawyer, worked at the US Justice Department, lived in Washington, DC, have a law degree from George Washington University, love vintage automobiles, cigars, and Frank Sinatra’s music (he was my neighbor when I was a child), am both a patriot and a romantic, like to confront things head-on, and do things by the book. Unlike Carlton, I neither grew up on a farm nor wear cowboy boots (nor have as much hair left as Carlton).

Perhaps my greatest difference with Carlton is that I am not in the Navy Reserve, although I almost was. I had filled out my Navy Reserve application at the same time I had received my admission to law school. My mother expressed concern that it might be difficult to study law and serve in the Reserve at the same time. I decided that she had a good point and shelved my application, which I ended up never submitting. My mother was trying to be the voice of reason and she might indeed have been, but I regret my decision to this very day. In that sense, Carlton’s Navy Reserve service constitutes an unfulfilled longing.

Elizabeth: What do you see happening to Patrick Carlton next?

Nicolas: Patrick Carlton is facing all sorts of adversity in his third adventure – which I am currently writing – as he uncovers, then fights to stop another global conspiracy.

Elizabeth: What is your writing process?

Nicolas: Tortured. I collect sparks of ideas whenever they hit me, then choose one I like best and begin with a general plot, then perform a great deal of research about its constituent parts before creating an outline. I write until I have a completed a first draft. Following the common adage that writing is mostly rewriting, most of my effort and time are spent editing and rewriting my draft. I wish that I could be more precise and detailed in my outlining so I could avoid the incredibly long and tedious process of editing and rewriting, but I find that once I begin writing, the story reveals itself organically, far better than if I simply wrote a top-down, detailed outline. In a sense, I discover the story as I write it, which is a far more magical experience – and for me produces better writing – than outlining, although it takes so much longer.

Elizabeth: How much historical fact and other research are woven into your novels?

Nicolas: History is very important to me, most likely because my parents are immigrants who lived through World War II and because I attended a French school in LA from kindergarten through 12th grade, where history holds a special place within the academic pantheon. My father was 19 living in Poland when World War II began. He hid a Jewish woman during the Nazi occupation of Poland, for which he received Israel’s Yad Vashem Righteous Gentile award in 1998 (she passed away two years ago and my father turned 93 in September). My mother was a teenager living in Nazi-occupied France during the war. My maternal grandfather was a French soldier who spent the duration of World War I in the trenches and survived the Battle of Verdun. I proudly display his medals (including the Croix de Guerre (war cross) and Medaille Militaire (akin to our Purple Heart, for being wounded in battle three times), dog tags, and WWII French Resistance armband in my office. I also travel to Europe regularly, where it is impossible not to see history everywhere (I visit my maternal uncle who turned 98 in September. He was a French soldier captured by the Nazis and sent to perform labor in Germany. He escaped and walked all the way back to Bordeaux, walking 30 kilometers each night, sleeping during the day). Many of us ignore history and focus on the here and now, which I find not only unfortunate, but a recipe for disaster. For me, history constitutes part of the present because it is how we got to our present. We owe so much to so many who made life in our country today possible. So history always finds its way into my novels, although they are present-day thrillers and not historical fiction.

In addition to history, I include many other researched facts in my books that I think readers will enjoy and that I believe lends more realism to the stories. Many editors and agents assert almost as a mantra that a thriller must deliver entertainment not knowledge. They say that because information delivery tends to slow down the high-speed, white-knuckle character of a thriller. Yet there are methods to deliver information without such a decelerating effect. I believe that if my readers are willing to pay for my books and invest the time reading them when there are so many competing demands on their time and money, I owe them more than simply a good yarn. I want my readers to finish my books having learned something of interest and of value. In The Diamond Conspiracy, that includes the history and processes of the diamond trade, Russia, South Africa, the Vatican, antitrust law, and the military. In The Tesla Formula, that includes Nikola Tesla, Old Hollywood, the international economy, the oil industry, astrophysics, alternative energy, terrorism, Saudi Arabia, Poland, France, and the European Union.

Elizabeth: Enough about your books, tell us about yourself.

Nicolas: I like to say that I am half French (mother), half Polish (father), and all American (born and live in the US). My father escaped Poland to get away from the Soviets at the end of World War II. That and his wartime experiences marked him for life. Many of his and my mother’s wartime experiences left indelible impressions on me. During college at UCLA, I studied political science with an emphasis on Soviet Studies. My goal was to fight the Cold War. I worked on Capitol Hill on national security issues before going to law school. During law school, the Berlin Wall fell and Soviet communism was defeated. The Cold War was over. I focused on real estate and environmental law and worked at the Justice Department before practicing law in my native Los Angeles for ten years, then shifted to the business side of real estate. Between the two, I wrote full time, but soon found that having to write on deadline, publish or perish, was detrimental to my writing and far less enjoyable than having to steal away time to write as I had while practicing law. As a result, I write part time, which clearly poses its share of frustrations, but I like to be involved in many things. In addition to running a real estate company, I teach as an adjunct professor at Pepperdine Law School, serve on the advisory board of an LA municipal park, and am involved in charity work. I am married, with two young daughters. I particularly enjoy driving my restored 1959 MGA roadster on weekends. I hope to have a vintage Cadillac like Carlton one day.

Elizabeth: We’ve now reached the time in our interview for the let’s-get-to-know-the-author-better, nearly-pointless, sort-of-silly, rapid-fire questions:

Elizabeth: Coffee or tea?

Nicolas: Coffee. Lots of it. Mostly in espresso form that I brew myself. The name ‘quadruple espresso’ is not unknown in my office.

Elizabeth: Ocean or mountain?

Nicolas: I love both, but am more partial to the ocean. In a perfect world, my family and I would hop from place to place chasing a never-ending summer by the beach.

Elizabeth: Hiking or shopping?

Nicolas: Hiking. More accurately, walking. I fell in love with walking as a child during summer camp. Now I walk about 45 minutes daily (although the scenery is not as alluring as the French Alps of my youth). In addition to the exercise benefits, walking sets my mind free and allows it to wander. I often get my best ideas and solve many of my plot and character issues while walking.

Elizabeth: Violin or piano?

Nicolas: Neither. My parents forced me to play the piano for years. I was good at it and even gave recitals, but I chafed at being forced to pursue that instrument. It was my first rebellion. The organ is my favorite instrument.

Elizabeth: Mystery or fantasy?

Nicolas: Mystery. Although thrillers would be more precise. Thrillers are often lumped in with mysteries, yet they constitute a distinct, separate genre, which the International Thriller Writers organization of which I am a member is working hard to rectify. To me, the main difference between the two is that in a mystery, someone is killed and the protagonist attempts to find out who killed the victim. In a thriller, the protagonist is being hunted while uncovering a mystery.

Elizabeth: Joan of Arc or Eleanor Roosevelt?

Nicolas: Joan of Arc.

Elizabeth: Love scene or death scene?

Nicolas: Love. Although in thrillers, death scenes are more prevalent.

To learn more about Nicolas Kublicki and his novels, visit his website at www.nicolaskublicki.com and The Tesla Formula page on Facebook at https://www.facebook.com/pages/The-Tesla-Formula/344451525570199.

Thanks for visiting today, Nicolas!

A New Favorite: Rebecca Stead

My favorite new children’s author is Rebecca Stead.

When You Reach Me by Rebecca SteadShe won the 2010 Newbery Medal for her novel, When You Reach Me, which is the story of a sort of geeky sixth-grade girl, Miranda, who lives in New York City in the 1970s.  After losing her house key and her best friend, she starts getting strange notes, such as: “I am coming to save your friend’s life, and my own.  I must ask two favors. First, you must write me a letter.”  The messages are odd yet show that the writer knows a lot about Miranda’s life.    The plot is a marvellous puzzle that keeps readers guessing until the end.  A great story for kids and adults alike.

Stead’s most recent novel is Liar & Spy, a contemporary story about seventh-grader, Georges (the “s” is silent, but causes him no end of grief in school), who must deal with bullying, a change of residence when his father loses his job, and a mother who works so much she’s never home.  In his new apartment, Georges meets Safer, a home-schooled boy who accepts Georges into the Spy Club to investigate the strange doings of Mr. X who lives in the apartment above Georges.

As the parent of a seventh-grade boy, I can tell you that Stead knows kids.  The characters are smart and funny and troubled and, more than anything, real.  I loved Georges, and loved Safer’s little sister Candy, and as my focus was on the characters, I was taken completely by surprise at the turn of events in the book.  Wow!  Again, a great book for kids and adults alike.

Stead has also written the novel First Light, which I haven’t read yet.  You can bet I’ll be getting it soon.

Interview with Margaret Muir

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Today I’m welcoming Margaret Muir, author of Sea Dust, the nineteenth-century story of a young woman who hides aboard a ship bound for Australia hoping to create a new life for herself; Through Glass Eyes, a saga set in Yorkshire; The Black Thread, a dramatic tale set on the Leeds and Liverpool canal in 1898; The Condor’s Feather, an equestrian adventure across the Pampas of Patagonia in 1885; and Floating Gold, the first in a series of naval adventure novels set during the Napoleonic Wars.

Elizabeth: Please tell us more about your most recent novel, Floating Gold. Image

Margaret: Floating Gold is an Age-of-Sail nautical fiction adventure, written for a male readership especially those who enjoy the works of CS Forester (Horatio Hornblower) or Patrick O’Brian (Master and Commander). Set in 1802, Captain Quintrell is entrusted with secret Admiralty orders and heads to the Southern Ocean aboard the Royal Navy frigate, Perpetual. Battling unforgiving seas, near mutiny and freezing Antarctic waters, the captain is unaware of the dangers awaiting him when he reaches his destination.

Elizabeth: Sounds exciting! You are currently writing the second book in the series. What will be happening to the main characters in this next instalment?

Margaret: In The Tainted Prize, Captain Quintrell and his motley crew again head south but this time the destination is Peru. Drama and intrigue lie ahead, however, action on the gun deck is tempered by the undertone of political unrest which is simmering in the Spanish vice-royalties in South America. Also of concern is the vast number of African slaves being transported to Peru to work and die in the silver mines. This raises questions about the social, economic and human cost of the slave trade.

Elizabeth: Many of your novels are nautical adventures or involve the sea as a setting, almost as a character. Would I be right in this?

Margaret: Yes indeed, Elizabeth, and thank you for your observation. Both for me and certain characters I create, there is definite affinity with the sea to the extent that it almost takes on a character of its own – a dual character that can be either male or female. The masculine Sea (metaphorically speaking) is dominant, powerful, cruel, exciting and mischievous, manifesting himself in violent storms and turbulent currents. Conversely, the feminine Sea is beautiful, mesmerizing, gentle and evocative.

Here is an example of this personification from The Tainted Prize:

For Oliver Quintrell, the sea was his comfort and companion and, when licking the salt from his lips, he had no doubt she was his mistress. Despite her foibles and fickleness, moods and mysteries, she was soft and sensuous – beguiling in her calms and tantalising in her tantrums. She was the force which heaved beneath him every day and lulled him to sleep every night. By constantly challenging him, it was the sea who made him fearless (not reckless), and it was the sea who would receive him into her arms on the final day of reckoning.

Elizabeth: How much historical fact is woven into your fiction and how do you go about your research?

Margaret: As all my stories are woven around imaginary characters, it is the time, place and setting that provides the historical elements. Floating Gold and The Tainted Prize take place against a backdrop of the Napoleonic War in the early 1800s. This is a well-documented era and there is no shortage of information about it, however, primary source material written by sailors who served in the Royal Navy at the time, or copies of original ships’ logs are most valuable for research.

ImageWalking the gun decks of an original man-of war like HMS Victory provides a valuable insight into life aboard a fighting ship, and in October, I will be re-visiting Victory and the Historic Dockyard in Portsmouth. After that, I will sail to Gibraltar to learn its history and experience its atmosphere first hand, as it will be one of the settings in my next book. Academic study of the Napoleonic Era, the Atlantic World and the Age of Revolution has provided me with background material to pepper my books. And, last but not least, sailing as a crew member aboard various tall ships has left me with an insatiable appetite for the sea.

Elizabeth: Enough of your books—tell us about yourself.

Margaret: I was born and bred in Yorkshire, England but moved to Australia in 1970. For twenty-five years my priorities were my career in Cytology and raising a family, and it was not until I was made redundant in the mid-1990s, that I had time to do things I had always wanted to. One of these was to write. The other was to sail on a tall ship. The tall ship came first followed by a BA (Writing) which led to my first novel, Sea Dust (2005).

Though it is many years since I left England, it was the moors and the rugged Yorkshire coast that I called on for the settings of my first three books. And while world travel is something I have enjoyed in more recent years, this also has had a considerable influence on my writing. Visits to South America and the Antarctic Peninsula directly inspired the settings for my novels, The Condor’s Feather and Floating Gold. Today, I live in Tasmania, an Australian state settled in the early 1800s from convict stock. It is called the Island of Inspiration and its history has inspired me to, one day, write a book about one of its infamous Bushrangers.

Elizabeth: We’ve now reached the time in our interview for the let’s-get-to-know-the-author-better, nearly-pointless, sort-of-silly, rapid-fire questions:

Elizabeth: Coffee or tea?

Margaret: Whatever you are having.

Elizabeth: Ocean or mountain?

Margaret: Ocean, of course.

Elizabeth: Hiking or shopping?

Margaret: Hate shopping. Loved hiking when I was younger.

Elizabeth: Violin or piano?

Margaret: Neither – prefer the sound of silence.

Elizabeth: Mystery or fantasy?

Margaret: Mystery.

Elizabeth: Darcy or Heathcliff?

Margaret: Heathcliff.

Elizabeth: Love scene or death scene?

Margaret: Death – stirs deeper emotions.

Learn more about Margaret at her blog www.margaretmuirauthor.blogspot.com  and website: www.margaretmuirauthor.com

ImageFor the month of September, you can purchase Sea Dust on Kindle for $0.99:

http://www.amazon.com/Sea-Dust-ebook/dp/B008J1PPP2/ref=tmm_kin_title_0?ie=UTF8&qid=1347314267&sr=1-1

Floating Gold is on Kindle for $2.99.

http://www.amazon.com/Floating-Under-Admiralty-Orders-ebook/dp/B008K9E3FQ/ref=tmm_kin_title_0?ie=UTF8&qid=1347314408&sr=1-1

Margaret Muir’s other titles are available on Kindle and as paperbacks via Amazon.

Margaret, thanks for visiting my blog today!