Formatting my e-book

I’ve decided to go with Smashwords as my e-book distributor. There are lots of reasons: the reach of their distribution, the no up-front cost, their strict format requirements. I’m impressed with how much formatting they ask authors to do before uploading a book. Smashwords e-books have a consistent, high-quality look. Smashwords makes available an easy-to-read, easy-to-follow formatting guide. Although the formatting is time-consuming, it isn’t difficult.

A began re-formatting my book at about 7:30am this morning. Smashwords requires that the author save her document as a .doc file. I did that, then I followed the guide, formatting my novel and saving as I went so as not to lose my work. I took a long break for lunch, and finished the formatting about 4pm.

My book looked clean and beautiful. I was SO happy with the formatting! A day well spent!

I decided to send myself a copy on email so that I would have a backup.

When I clicked on the folder where I had saved my document, I was surprised to see two documents with the same name. Looking more closely, I saw that one was called Syncopation.doc and the other was called Syncopation.doc.docx.

My stomach started hurting.

I opened the document with the Smashwords required .doc file name. It was my original document, lacking the formatting clean-up I’d spent the day doing.  I opened the .doc.docx file and it was my beautifully clean, perfectly formatted document. Probably hiding all sorts of foul .docx formatting garbage.

I felt like throwing up.

Sighing heavily, I clicked “save as” and gave this document a new name and chose the .doc extension. When all other aspects are ready for my e-book upload, I will use this file and see if Smashwords accepts or rejects it.  I may have to spend another long day doing exactly what I did today.

Well, hopefully not exactly.

 

The Advantages to Writing Only Once a Week

Many writers voice the opinion that if you want to be a writer, you need to write every day. I disagree. For the past thirteen years, I have been writing only one day a week (with a few exceptions). Here are the advantages:

1.You don’t write many throw-away scenes.

I spend the entire week thinking about what comes next. I get ideas, reject ideas, change ideas, and expand ideas all in my head. When I sit down to write, I’m confident that the scene I write is meant to be there.

2. You know your characters intimately.

In the time between my writing sessions, my characters talk to me. I listen. We converse. These conversations roam in ways that a story doesn’t. I learn their histories, their desires, their fears. I learn a lot of things that will never be in the story.

3.You are energized when you sit down to write.

This is true for two reasons. First, I look forward to my writing day with great anticipation. Hooray! I get to write today! Second, I haven’t been exhausting myself on other days, pushing myself to write when there is nothing there, writing crap, deleting crap, hating myself, etc. Instead, on those other days, I’ve been quietly thinking, resting up for my big day of writing.

4.You will be a better reviser.

I know I said in #1 that I don’t write throw-away scenes, but once that first draft is finished, everything is on the cutting board. On my non-writing days, I’m thinking carefully about the whole story, the character arcs, what needs more explanation, what needs less, on and on. When writing day arrives, I know what part of the manuscript I’m attacking, how I’m attacking it, and I’m excited!

5.You can take advantage of the extra time in your week to exercise.

Writers are famously inactive. I used to walk to and from work. For an hour a day (thirty minutes each way) I could think about my novel with very few distractions. Now, I swim three to four times a week. Swimming laps can be pretty boring, but for me, it’s a time of intense conversation with my characters.

Yes, there are also advantages to writing every day, and that works well for some people. Many successful writers write every day. And they’re successful. Probably a lot more successful than me. Still.

I’ve tried to write every day. But with family and work and other commitments, I was too tired, writing crap, and feeling bad about myself and my writing.

One day (OK, really it’s only a half-day), once a week, fits into my busy schedule. Rejecting the every-day writing and committing myself to once a week has worked wonders on my writing, my confidence, and my happiness.

Author Interview: Jamie Swenson

jamie swensonToday I’m welcoming Jamie Swenson to my series of author interviews. Jamie is the picture book author of Big Rig, Boom Boom Boom, and If You Were a Dog.

Elizabeth: Can you tell us about If You Were a Dog?

Jamie: If You Were a Dog released yesterday – Sept.30th. jamie book dog

When I think about this book – it makes me smile. The book asks a series of questions for kids to consider about what sort of animal they would be if they were, say, a dog, a cat, a bird, a fish, a frog – even a dinosaur. The book opens with the dog question:

If you were a dog, would you be a speedy-quick,

Lickety-sloppidy,

Scavenge-the-garbage,

Frisbee catching,

Hotdog stealing,

Pillow hogging,

Best-friend-ever sort of dog?

Would you howl at the moon?

ARRRRRROOOOOOOOOOOOO!

Some dogs do.

Elizabeth: How long did it take from story idea until the book was published?

Jamie: Sometimes the initial idea for a book just flows from me in a matter of hours. That’s what happened with If You Were a Dog. I’d been talking with a little boy who was pretending to be a dog and I asked him, “What sort of dog are you? Are you going to bark in storytime today?” And that’s really all it took – I practically ran home that day and wrote the first few lines of the book about what type of dog a child might be. I’ve had dogs my whole life – so all the questions are based on the dogs I’ve known.

Of course, a book needs more than just one fun thought … and it took me a little while to focus on only animals – and even longer to get all the descriptive words right. Plus, I believe I spent months putting hyphens in and taking hyphens out again … in total, I think it took over a year to get the text into a form I was ready to submit to publishers.

When I finally did start submitting, I sent it to five open houses that I loved – into slush piles. I didn’t hear anything for months and then one morning I saw that I had an email message from Janine O’Malley at Farrar, Straus & Giroux. She wondered if the book was still available and if I would email her a copy so she could share it with her colleagues. That was in December of 2009. I think Janine made me an offer in January and the book was scheduled to release in 2012.

AND THEN … the most amazing thing happened. Caldecott-winning illustrator Chris Raschka signed onto the project. I was stunned when I found out. I knew and respected Chris’ work – it was an unbelievable thought that he would be bringing my text to life. Of course, he’s busy. The publication date ended up moving back to 2014 to accommodate his schedule. So, the first book I sold has ended up being the third to be released. In my mind, Chris’ work was well worth the extra two year wait!

Elizabeth: Chris Raschka! How exciting! Well worth the wait. I’ve noticed that your books are each by a different illustrator. Do you, as an author, have any input on who gets to illustrate your story?

jamie book bigrigJamie: As the author, I have had no say in who the illustrators for my books would be – beyond giving a general “yes” or “no” to the choices made by my editors. So far, I have only said, “AWESOME!” to all three of the illustrators: David Walker, Ned Young, and Chris Raschka.

With each project, at some point, I do see rough sketches or early drafts of the art and I am able to give feedback. There were a few instances in each manuscript when I did give feedback that affected the final book. In all cases, I was so happy with the overall style/tone/feel of the book – I really think each illustrator brought exactly what the text needed to the project. When I look at the art in my books – I simply can’t imagine any other style/look. I’ve heard of authors being disappointed in the art in their books – or feeling a loss of control, but I have never felt that way. I go into every book – even in the early writing stage—saying, “I’m leaving space right there for an illustrator to play and have fun creating.” I have never wanted to have too much control – and I try to stay away from exacting illustration directions/notes.

jamie book boomIn my mind, every person connected with the book process knows what he/she is doing and each person adds a richness to the book that wouldn’t exist if I were the one making all the choices. I love how books represent many creative spirits coming together for the best product – because they are created for the best people on the planet – kids.

Elizabeth: Can you tell us a little about your writing process?

Jamie: My writing process is dictated by the project I’m working on. If I need to research a topic – I will spend a few weeks reading or watching everything I can that is connected to the topic and taking notes or just letting it sink into my brain. Finally, I’ll spend two or three straight days writing the first draft (if it’s a picture book) and then I’ll spend days, weeks, months, or years revising the manuscript. Usually, it’s just a matter of a month or two of writing and revising. I often write for about two hours, take a break such as a walk with my dogs, and then come back to write/revise for a few more hours. Breaks are essential – and knowing that I need to find perfect words and not settle for just okay keeps me motivated. Picture books are like a puzzle where you keep taking out and replacing pieces until they all fit together perfectly.

Elizabeth: To write for children, do you think an author needs to have regular interaction with children?

Jamie: No, I do not think that writers have to have regular interaction with kids to write for kids – I think writers have to have once been a kid and be interested in topics of interest to kids. Of course, for me, it certainly helps that I do work with kids. My work is very much affected by my daily interactions with kids, and I would certainly miss that inspiration if I suddenly went to live in a cabin in a forest without any people around me (and believe me, I have considered this – hee hee).

For me, being a storyteller/associate librarian gives me a unique perspective on the types of books that I write. I write books that I would want to use in storytime with preschoolers. My books all have opportunities for the kids to become a part of the reading – be it with howling or clapping or making the “URRRRNNNT-URRRRNNNT!” of big rig’s horn. When I write, I visualize the way the book will work with the kids I will read it to one day.

But, I know many successful authors who do not interact with kids on a daily or even weekly basis. This does not mean they ignore what today’s kids are like or what interests them or what kids need from books – it just means, like any writer – they know their subject and their audience. Some writers write for the child they once were. That’s fantastic!

Of course, if you’re writing for children/teens, it helps to understand their developmental needs. For instance, most two year olds have not yet lost a tooth, been to the principal’s office, or learned to ride a two-wheeler. I wouldn’t pick those topics in writing for a preschooler – on the flip side, most fifth graders are no longer interested in how to tie their shoes, or put on pants, or button a shirt. They don’t worry so much about nap time either. A teen might be very interested in getting his/her driver’s license, but not that interested in stories about spelling bees or first slumber parties. Knowing what your audience is currently experiencing, or will soon experience, helps you write a story that they will enjoy.

My advice to those writing for kids who are not able to be around kids – read books currently published for the age group you want to write for and think about the big emotional issues you experienced at that age. The specifics may have changed since you were a kid (What do you mean you didn’t have a cell phone? How did you text people?), but the emotions haven’t changed. It still hurts to be left out. It’s still scary to be alone in your bed in the dark. And it’s still awesome to find out that a special someone LIKE likes you.

Elizabeth: Can you tell us a little more about yourself?

Jamie: I’ve been writing for kids for about fourteen years now. My early books were certainly inspired by a combination of raising children (my husband and I have two amazing daughters) and working as an associate librarian doing early literacy storytimes. I graduated from Hamline University’s MFAC program in 2009 – that experience remains a highlight of my writing life. Through Hamline and SCBWI, I have been fortunate to meet and be inspired by an array of incredible writers and illustrators.

For me, being a writer isn’t a career as much as it is simply who I am. Words and stories float around me and inspire me. Stories and words make me happy. I love being a part of a world that creates stories for children. Writing for kids and inspiring them become readers is my vocation, I can’t image doing anything else. People ask me all the time what the best part of being a writer is – and I always answer – the best thing about being a writer is the opportunity to meet interesting, passionate, fabulous people: readers, writers, illustrators, editors, agents, book-lovers of all sorts. I honestly believe book people are the best sort of people – and people who dedicate their lives to giving kids the world through books – well, I’m blessed to be a part of that.

Elizabeth: We’ve now reached the time in our interview for the let’s-get-to-know-the-author-better, nearly-pointless, sort-of-silly, rapid-fire questions:

Q: Pizza or salad?

A: Both.

Q: Ocean or mountain?

A: Midwest forest. As northern as possible.

Q: Tree house or doll house?

A: Doll house in a tree house.

Q: Violin or piano?

A: Lalalalala – I’m a singer.

Q: Comic story or learn-something story?

A: Both – I hope to take something away from every story I read – but if there is no comic-relief in a book – I’m not likely to keep reading it for long. That is NOT to say that I wouldn’t read a dark topic or a serious topic – but even in those scary places – there is still joy in this world. So, I do appreciate a little bit of levity with every topic.

Q: Laura Ingalls Wilder or Hermione Granger?

A: Hmmm… both of these characters have spunk and do not take no for an answer. They also both make some big mistakes due to overconfidence… They are smart, brave, women of their time. One, of course is based on a real person – but the two characters are iconic. Too hard to answer –both Laura and Hermione would be preferred over a Bella Swan any day of the week.

For more information about Jamie Swenson visit her website: www.jamieswenson.com

Her books are available at: http://www.indiebound.org/ and other bookstores.

Author Interview: Kashmira Sheth

kashmiraToday I’m welcoming Kashmira Sheth to my series of author interviews. Kashmira is the author of many children’s books. Her picture books include the recent Tiger in My Soup, as well as My Dadima Wears a Sari and Monsoon Afternoon. For middle grade readers, Kashmira has written The No Dogs Allowed Rule, Boys Without Names, and Blue Jasmine. Kashmira also has two young adult novels: Keeping Corner and Koyal Dark, Mango Sweet.

Elizabeth: Can you tell us about your new picture book, Tiger in My Soup?

Kashmira: Tiger in My Soup came out of my desire to capture the relationship between my brother and me. The narrator of the story, a young boy, is very much like my brother. Growing up, he always wanted me to read to him. Once I took that concept and started writing the story, the imagination of the little boy took over and tiger steamed out of his soup. It was a fun process.

Elizabeth: Can you tell me a little about the illustrations?kashmira tiger book

Kashmira: My publisher wanted to pair this story with an illustrator who could bring the story alive. I can’t imagine anyone better than Jeffery Ebbeler to illustrate this story. Here are his comments about illustrating Tiger in My Soup:

Jeffery Ebbeler:

The main focus of Tiger in my Soup is the interaction between the boy and his sister, and the tiger that only the boy can see. I wanted to keep backgrounds pretty minimal so the focus was on the interaction between the characters.

Most of the book takes place in one room (the kitchen/dining room) inside the house. It can be hard sometimes add variety to a book that only has one setting. Since this book had so much action, that wasn’t a problem.

The first few page of the story don’t specifically mention where the characters are, so I thought I would put them outside to establish a setting for where they live. Since I illustrate books for many different authors, I try to approach each new book with a fresh perspective. I want to imagine as much as I can about the specific world that these characters live in.  Anything that might add additional character or uniqueness, including where the story is set, the type of house they live in, the kind of clothes they wear.

I was working on my rough sketches for Tiger in My Soup while I was on vacation with a friend that I have known since grade school. His extended family owns a small one-acre island, far out in a lake in Canada. The islands in the lake are all bare granite rocks dotted with pine trees. Several years back I had helped build the new cabin on the island that sits high up on the rocks. I was sitting on the cabin’s porch looking down at the old, red-roofed cabin that my friend’s great-grandfather had built in the 30’s, and I thought– why not set the book here? The image of the boy chasing his sister up the stairs with his book was taken from that view from the cabin porch. (I posted pictures of the cabin on my web site http://jeffillustration.com/tiger.html) I did embellish the look of the house to give a more mid-century modern style.

I was also inspired by all the seagulls flying around the island. I wanted to add a background character that followed the boy around through the whole story. The seagull is the only character that can see the tiger chasing the boy around, and I liked the interactions between the two of them, especially the scene on the porch where the two of them are trying to read the book together.

Tiger in My Soup is one of the favorite books that I have illustrated. It’s such a clever and unique story and I’m really pleased with how it all came together.

Kashmira: Thank you, Jeffery, for providing such insightful detail about your illustrations.

kashmira dadima bookElizabeth: I also love the illustrations in My Dadima Wears a Sari and Monsoon Afternoon. Were they done by the same person?kashmira monsoon book

Kashmira: The illustrations for My Dadima Wears a Sari and Monsoon Afternoon were both done by Yoshiko Jaeggi. She used watercolor and captured the essence of saris as well as of monsoon perfectly.  She is also illustrating my next picture book which will be available in April 2015.

Elizabeth: What do you find the greatest challenge in writing picture books?

Kashmira: I think revising the text of a picture book is the greatest challenge. When I first put down the story there is a flow to it that I like. When I revise I may take out parts of it, change words or sentences and yet want to make sure the text has a lilt to it. Since pictures books are read aloud and read more than once, it’s important that they have a rhythm.

Elizabeth: You also write for middle-grade readers and young adults. What different ways do you approach each audience?

Kashmira: I write in the first person, so when I create a story I try to become that person and write from his/her point of view. The most important and challenging thing a children’s writer has to do is to dig down, reach back in time, and think about how it felt when she/he was nine, or eleven or sixteen. All my stories depict an Indian protagonist, so even though the situation, locale or culture is unfamiliar to the readers they must be able to connect with the protagonist at a deeper level. I try to communicate a story that has resonance with young readers by providing emotional honesty so they can read the book and say, “yes, I know how that feels.”

kashmira keeping bookElizabeth: As you’ve mentioned, many of your books take place in India. Keeping Corner is the story of a young woman in India during the time of Mohandas Gandhi’s movement for independence. Koyal Dark, Mango Sweet and Boys Without Names take place in modern-day India. Can you tell us about your own childhood in India?

Kashmira: My childhood was happy but disjointed. I lived in Bhavnagar (a city in the Western state of Gujarat) with my grandparents until I was eight, and then moved with my parents to Mumbai. When I was seventeen, I came to this country to attend college. Leaving places has preserved memories very distinctly in my mind. Imagining and dreaming about those places has kept me connected to them and helped me become a writer.

Another theme of my childhood was listening to my grandparents tell stories. Listening to and reading the great epics Mahabharata and Ramayana, as well getting an education in my own native language, Gujarati, have been among the biggest influences of my life.

Elizabeth: What do you want young American readers to learn about India?

Kashmira: I would like young readers to know that India has rich history and tradition that are passed on from one generation to other. Even though the culture is old, it isn’t stagnant; rather, it’s always changing. I just read an article in The Wall Street Journal about how the stories from Ramayana and Mahabharata are now being depicted with gods and angels who have an updated muscular and strong look. This is just one example of how India has always been able to reinvent itself. It does have its share of problems, including poverty and corruption, but it is also the largest democracy and is a dynamic, multicultural, multiethnic, and vibrant country.

Elizabeth: Can you tell us about some of your school visits?

kashmira boys bookKashmira: In March 2014 I went to Mattoon, Illinois, for their Read Across Mattoon book. Every year 50 students from Mattoon read the twenty books selected from the Rebecca Caudill Young Readers Book Award. After much lively discussion, they select one book as the winner. Last year they chose Boys Without Names. They order 1,000 copies to use in their schools and to distribute in the community. They keep the book choice a top secret until their holiday assembly when the principal presents the winner and challenges the students and staff to read the book.  Starting in January the Student Reading Committee gives copies of the book to various service organizations.

kashmira frameWhat amazed me was the dedication and passion these young students had for the books and how much work went in to making the entire community aware of the book. Not only I was fortunate to visit the school and give several programs, including an evening one for the entire community, but I also had the opportunity to have lunch with the Student Reading Committee. There were so many things they had created to celebrate the book, including posters, artwork, maps, a mannequin wrapped in a sari, and a wooden frame with beads, just like the one Gopal (the protagonists from Boys Without Names) and the other boys had to make. They gave me the wooden frame as a gift. I have it on my desk and whenever I look at it inspires me. As an author, whenever I do a school visit I am amazed and humbled by young readers, their teachers, parents and community.

In early 2015 I will be traveling to Lacey, Washington for their program called “Lacey Loves to Read.” It is a one-city, one-author program, and I am excited about my visit.

Elizabeth: We’ve now reached the time in our interview for the let’s-get-to-know-the-author-better, nearly-pointless, sort-of-silly, rapid-fire questions:

Q: Pizza or salad?

A: Salad most of the time. Pizza when I am super hungry

Q: Ocean or mountain?

A: Ocean

Q: Tree house or doll house?

A: Tree house

Q: Violin or piano?

A: Piano

Q: Comic story or learn-something story?

A: Learn-something story that has humor in it

Q: Laura Ingalls Wilder or Hermione Granger?

A: First, Laura Ingalls Wilder, because she came in my life first.

Elizabeth: Kashmira, it has been a pleasure learning about you and your books.

Kashmira: Thank you for inviting me to do the author interview and for asking thoughtful questions. I enjoyed answering them.

Elizabeth: For more information about Kashmira Sheth and her books, visit her website:

http://www.kashmirasheth.com and the bookstores hosting her works:

Indiebound:

http://www.indiebound.org/hybrid?filter0=kashmira+sheth&x=0&y=0

Amazon:

http://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%3Daps&field-keywords=kashmira+sheth

Barnes and Noble

http://www.barnesandnoble.com/c/kashmira-sheth

Thanks!

Meet My Main Character

I’m playing along in the most recent blog tag game. This one has me sharing my main character with you. I was tagged by historical novelist Kim Rendfeld, author of The Cross and the Dragon and the forthcoming The Ashes of Heaven’s Pillar.

What is the name of your character? Is he/she fictional or a historic person?
My main character is Snow White. Both fictional and historic!

When and where is the story set?
Snow White and the Queen takes place in a standard fairy-tale world, with dwarfs, elves, wisps and an evil Queen.

What should we know about him/her?
My Snow White is a more well-developed character than the one you know from the original fairy tale. She is left with the dwarfs as a baby, and as she grows she wonders why she was left there. Who is she? Where did she come from? When she leaves the dwarf kingdom, she is searching for her identity.

What is the main conflict? What messes up his/her life?
We, the reader, know that the Queen wants Snow White dead, and Snow White eventually learns this too.

What is the personal goal of the character?
At first, Snow White wants to learn who she is and why she was left with the dwarfs. When she learns that the Queen is her enemy, she decides that she will defeat the Queen.

Is there a working title for this novel, and can we read more about it?
My working title is Snow White and the Queen. I have talked about this story in another blog hop and as part of my 2013 NaNoWriMo project.

When can we expect the book to be published?
Snow White and the Queen is being submitted to agents at the moment. A publication date will hopefully be forthcoming.

Now it is my turn to tag some author friends:

Sandy Brehl, author of Odin’s Promise

Stephanie Golightly Lowden, author of Jingo Fever

and historical novelist Rebecca Henderson Palmer .

You can visit these authors’ websites next week to learn about their main characters.

Author Interview: Eileen Meyer

eileen

Today I’m welcoming Eileen Meyer to my series of author interviews. Eileen is the author of the recently released picture book Ballpark, for ages 4 to 8.

Q: Can you tell us about your new book?

eileen ballpark coverA: Thank you for inviting me to take part in your author interviews, Elizabeth. I’m thrilled to see this sweet story become a picture book. Written in rhyme, Ballpark brings to life all the sights and sounds of the big game. A boy and his grandpa are heading to their first big league baseball game together. They’ll cheer on their team, keep an eye out for fly balls, eat some peanuts, and hopefully watch their team win the game! Illustrator Carlynn Whitt’s adorable characters showcase all the fun and action of a day at the ballpark. The book celebrates the simple joy of spending a day together.

Q: How long did it take from story idea until the book was published?

A: This manuscript had a lengthy journey to become a published picture book. In its original form, it was a story about the two main characters and also focused on our five senses, incorporating the experience at the ballpark in what we see, hear, taste, touch and smell. After writing it, in 2008 I had submitted the story to a number of publishing houses with no success.

Then I attended the Illinois Prairie Writer’s Day Conference in November, 2010. There I heard a Marshall Cavendish editor express an interest in receiving sports-related picture book submissions – so I made a note to send the editor my manuscript, Ballpark.

Fast forward to Fall 2011. I received an email from the editor. The editorial team had reviewed my manuscript and they were interested in Ballpark, but the story would need some revisions. The editor wanted to play up the experience between the grandfather and grandson and eliminate the sensory focus. I was excited to revise the manuscript with that in mind. In fact, it was a nice challenge. It certainly helped that the fall baseball playoffs were underway and I sensed baseball fever all around.

The editor accepted my revised manuscript and offered me a contract in late 2011 for a spot on their spring 2014 list. Then, the publishing house experienced some corporate changes – Marshall Cavendish merged with Amazon Children’s Publishing, and some of the final paperwork took a bit longer. All told – I wrote the original manuscript in 2008 and six years later, I’m delighted to hold this colorful and beautiful picture book in my hands!

Q: Your book Sweet Dreams, Wild Animals will be coming out in spring of 2015. Can you tell us a little about this book?

A: I’m very excited about this new picture book; this bedtime story presents the varied sleep habits of 14 different animals. Each animal’s sleep habit is introduced with a short poem, followed by a brief factual paragraph, and all are linked with the story thread of a child settling in for the night and wishing “sweet dreams” to each animal.

Q: Your poetry was included in the poetry collection And the Crowd Goes Wild. What do you find the most fun and the most difficult about writing poetry for children?

A: I love writing poetry. I think the challenge of writing poetry (for me, at least) is the mental work I do before I sit down to write. I like to think about what I’m trying to achieve with the piece and find my way “in” – will the poem be humorous, should there be a punch line or a twist at the end, or is it lyrical in style, more informative, etc. Once I have an idea of where I would like to go with the poem, I like the creative challenge of achieving that goal and creating my best work.

Cathy Cronin, Michelle Schaub, Heidi Roemer, Pat Cooley and Eileen Meyer
Cathy Cronin, Michelle Schaub, Heidi Roemer, Pat Cooley and Eileen Meyer

One very rewarding aspect of my inclusion in the anthology And the Crowd Goes Wild has been the opportunity to continue to work with a number of Illinois poets. A few of us have created a wonderful sports poetry elementary school program and we’ve taken our show on the road to a number of schools this past year. Heidi Roemer, co-editor of the book, helped organize all of us and our team includes Michelle Schaub, Pat Cooley, Cathy Cronin, Patty Toht, and me. We’ve had loads of fun working with K-5th graders, presenting both auditorium programs and grade-level break-out sessions. We all wear our favorite sports jerseys, act out a number of skits for the students, and talk about one of our favorite topics – poetry!

Q: What is your writing process?

A: To boil it down to the most basic steps: I like to think about my project for quite a while and brainstorm ideas, then of course I write an awful first draft, revise – revise – revise, then polish the final draft. If it’s a nonfiction piece, of course there is a heavy research component in the early stages, and that is something I truly enjoy.

Q: To write for children, do you think an author needs to have regular interaction with children? How does that work for you?

eileen schoolA: Yes – our young readers are such a key component to everything we do as we write books for their listening and reading enjoyment. My sons are in high school and college, so they’ve graduated well beyond the scope of what I write for young readers and listeners. I make a point of spending a lot of time with young children during my school and library programs. I enjoy the time together and young kids always make me laugh with their great comments! Most of all, I think you have to be young at heart. I love writing days when I can channel what a 6-year-old wants to read in one of my books. It’s a great day to spend time thinking like a 6-year-old!

Q: Enough about writing—tell us about yourself.

A: Thanks, Elizabeth. On the personal side, I’m a mom who is working herself out of a job, which is what we’re supposed to do! I have three sons – one is a sophomore in college, and I have twin sons who are seniors in high school about to graduate. We’re a big sports family –I’ve watched my sons play soccer since they were very young so I really enjoy going to their games. Next year I plan to travel quite a bit to watch their games at their various colleges. When I’m home, I enjoy spending time with my husband and sons. I walk outdoors each morning to start my day and it’s also a good time to do some thinking about projects; I’m also a devoted reader of books and newspapers, and I enjoy traveling, cooking and watching sports. I came to writing children’s books later in life; in college I studied business and then worked for a dozen years with software products and marketing programs. It’s been a rewarding journey.

Q: Do you have any advice for aspiring children’s writers?

A: Of course, join SCBWI- The Society of Children’s Book Writers and Illustrators. And get involved in your state chapter – attend programs, serve as a volunteer, join a critique group and get to know the community of writers in your state. Not only will you learn a great deal, but you’ll also enjoy getting to know other writers and make close friends. Writing can be a lonely business, so it’s wonderful to connect with other kindred spirits! I’m very close to a number of friends in my writing groups (two groups – one for all genres, one specifically for poetry) and they are very important to me.

We’ve now reached the time in our interview for the let’s-get-to-know-the-author-better, nearly-pointless, sort-of-silly, rapid-fire questions:

Q: Pizza or salad?

A: I love salads, but can’t resist cheese pizza! So both.

Q: Ocean or mountain?

A: I love hearing the sound of the ocean. It’s always a thrill to vacation near the water

Q: Tree house or doll house?

A: Tree house – I’m a mom of all boys.

Q: Violin or piano?

A: Piano.

Q: Comic story or learn-something story?

A: Learn-something story. I love to research interesting topics and weave the information into my books.

Q: Laura Ingalls Wilder or Hermione Granger?

A: Can’t decide – a tie. I read both series aloud to my kids when they were young, and they enjoyed both immensely.

For more information about Eileen, visit her website: www.eileenmeyerbooks.com

To purchase Ballpark, visit: http://goo.gl/WAkVzG

You can also like her on Facebook: Eileen Meyer, Children’s Author

 

MBPI: Sensing and Intuition AND Judging and Perceiving

 

I think about these last two categories less in writing my characters and less in my own relationships. I think this is probably because I am mild in each category. I can easily understand “both sides.”

Sensing and Intuiting

Do you pay attention to physical reality, understanding the world through your five senses? If so, you are “Sensing.” If you pay more attention to the impressions that the world makes on you, seeing patterns and relationships between things, then you are “intuiting”.

Sensing people are often pragmatic, paying attention to the facts before them and not always seeing the big picture or the possibilities being offered.

Intuiting people can often “read between the lines.” They see the big picture and aren’t always aware of the small things that form that picture.

Although I tested as an “S” I think I’m almost right at the middle point on this continuum. I am able to operate in each “zone” quiet easily.

Judging and Perceiving

The Judging/Perceiving trait has to do with how people interact with the outside world.

Are you a planner? Do you think about what you want to happen and organize your life in a way to achieve those things? If plans change is it disconcerting? Does it take you a while to adapt to a new plan? Or, are you spontaneous? Ready to do whatever, whenever, with whomever? Do you not need to know what the plan is, and just as soon not have a plan?

People who like to plan also like to have things decided. They are Judging. People who don’t necessarily want to plan things out but prefer to wait and see are Perceiving. They are comfortable waiting for more information before making decisions.

Don’t confuse these traits with being organized. Both types can be organized—or not.

As with all the MBPI traits, judging and perceiving form a continuum, with people nearly in the middle and some people being strongly one or the other. I have a mild Judging trait. I plan. I like to have decisions made, especially big ones. When plans change suddenly, I try to go with the flow, though I sometimes find it uncomfortable.

If I am in charge of something, I make decisions and plan every little detail. In fact, for my college classes, I start the semester with detailed lesson plans for every day I will teach. If class is canceled because of snow or illness, I’m a little thrown off. Of course, I quickly re-bound and re-plan. I find responsibility stressful, and I combat that stress by planning and making decisions.

So, when I’m not responsible for something, I try to remain that way. I can be spontaneous, accept change and lack of decision-making when someone else is in charge. I enjoy not being in charge. I don’t know if this is a judging quality or something else, but that is how I am. I don’t avoid responsibility but neither do I seek it.

In my mind, Perceiving people are more relaxed. They don’t have to plan or have decisions made. They seem to stress less than me, but maybe they just stress differently.

Knowing Myers-Briggs categories is helpful in both developing fictional characters and supporting real-life relationships. I think the key for all categories is to being understanding. People are different; we are made to be different. Don’t expect or demand others to be like you. What a boring world that would be!

I’m no expert at MBPI, so if you’d like more information on these traits, visit the Myers & Briggs Foundation.